Professional Color Grading Tools

Professional 65-Point LUTs
for Cinema Cameras

Precision-crafted 65-point .cube LUTs for RED RAW, Sony S-Log3, Canon C-Log2/3, and Blackmagic RAW. Stylized looks and accurate REC.709 conversions — priced 20% below the competition.

65-Point Cube Format REC.709 Conversions Included DaVinci Resolve Premiere Pro Final Cut Pro On-Set Monitor Ready
Market Avg (per pack)
$47
Aponte Media Price
$37
21% below market
Market Avg (bundle)
$180
Our Bundle Price
$147
18% below market
Master Bundle
$199
vs $250 avg — 20% off
Filter:
RED RAWConversion
RED Log3G10 → REC.709
REDWideGamutRGB / Log3G10 Color Science
3 LUTs · 65-Point Cube
What's Included
  • Natural REC.709 — accurate, clean conversion
  • Enhanced REC.709 — boosted contrast + micro-detail
  • Warm REC.709 — golden-toned natural conversion
  • Compatible with RED DSMC2, DSMC3, V-RAPTOR, KOMODO
  • Works with RED IPP2 color pipeline
RED RAWStylized
RED Cinema Looks
10 Stylized Looks for RED IPP2 Workflow
10 LUTs · 65-Point Cube
Looks Included
  • Kodak Vision3 — warm, dense film emulation
  • Fuji Eterna — cool, desaturated cinema stock
  • Bleach Bypass — high contrast, desaturated drama
  • Teal & Orange — commercial blockbuster grade
  • Warm Film, Cold Steel, Desaturated Matte
  • Vintage Chrome, Neon Noir, High Contrast B&W
RED RAWBundle
RED Complete Bundle
All RED LUTs — Conversions + Stylized
13 LUTs · 65-Point Cube
What's Included
  • All 3 REC.709 Conversion LUTs
  • All 10 Stylized Cinema Looks
  • Free future updates
  • On-set monitor .cube files included
S-Log3Conversion
S-Log3 → REC.709
Sony S-Gamut3.Cine / S-Log3 Color Science
3 LUTs · 65-Point Cube
What's Included
  • Natural REC.709 — accurate Sony color
  • Enhanced REC.709 — punchy, vivid conversion
  • Warm REC.709 — golden skin tones
  • Compatible with FX3, FX6, FX9, A7SIII, ZV-E1, A7RV
  • S-Gamut3 and S-Gamut3.Cine variants
S-Log3Stylized
Sony Signature Looks
10 Stylized Looks for S-Log3 Footage
10 LUTs · 65-Point Cube
Looks Included
  • Cinematic Teal, Golden Hour, Moody Blue
  • Film Grain Warm, Pastel Fade, Urban Grit
  • Sunset Orange, Clean Corporate
  • Wedding Soft, Anamorphic Flare
S-Log3Bundle
Sony Complete Bundle
All S-Log3 LUTs — Conversions + Stylized
13 LUTs · 65-Point Cube
What's Included
  • All 3 REC.709 Conversion LUTs
  • All 10 Stylized Signature Looks
  • Free future updates
  • S-Gamut3 and S-Gamut3.Cine variants
C-Log2Conversion
C-Log2 → REC.709
Canon Cinema EOS / C-Log2 Color Science
3 LUTs · 65-Point Cube
What's Included
  • Natural REC.709 — accurate Canon Cinema color
  • Punchy REC.709 — vivid, contrast-boosted
  • Neutral REC.709 — flat, grade-ready
  • Compatible with C70, C300 MkIII, C500 MkII, EOS R5C
C-Log2Stylized
Canon Cinema Looks
8 Stylized Looks for C-Log2 Footage
8 LUTs · 65-Point Cube
Looks Included
  • Hollywood Blockbuster, Warm Skin
  • Desaturated Drama, Neon City
  • Emerald Forest, Dusty Western
  • Cool Shadows, Vintage Kodak
C-Log3Conversion
C-Log3 → REC.709
Canon EOS Cinema / C-Log3 Color Science
3 LUTs · 65-Point Cube
What's Included
  • Natural REC.709 — accurate, clean conversion
  • Enhanced REC.709 — vivid, punchy output
  • Vivid REC.709 — saturated, commercial-ready
  • Compatible with EOS R5, R6, R7, C70, C300 MkIII
C-Log3Stylized
Canon Signature Looks
8 Stylized Looks for C-Log3 Footage
8 LUTs · 65-Point Cube
Looks Included
  • Wedding Ivory, Travel Warm, Moody Portrait
  • Cinematic Matte, Blue Hour, Golden Skin
  • Documentary Natural, Autumn Tones
BRAWConversion
BRAW → REC.709
Blackmagic Design Film Gen4 & Gen5
4 LUTs · 65-Point Cube
What's Included
  • Natural REC.709 Gen5 — BMD Film Gen5
  • Natural REC.709 Gen4 — BMD Film Gen4
  • Enhanced REC.709 — boosted contrast
  • Vivid REC.709 — saturated, punchy
  • Compatible with BMPCC 4K, 6K, 6K G2, URSA, Pyxis
BRAWStylized
Blackmagic Signature Looks
8 Stylized Looks for BRAW Footage
8 LUTs · 65-Point Cube
Looks Included
  • Film Noir, Indie Drama, Vibrant Nature
  • Dark Thriller, Pastel Dream
  • Commercial Clean, Warm Documentary
  • Teal Shadows
FREESampler
Free LUT Sampler Pack
3 Free 65-Point LUTs — No Email Required
3 LUTs · 65-Point Cube
What's Included
  • S-Log3 Natural REC.709 — Sony conversion
  • C-Log3 Natural REC.709 — Canon conversion
  • BRAW Natural REC.709 Gen5 — Blackmagic
  • Full 65-point cube — not a demo version
  • Instant download, no account required
Paywall Tiers

Choose Your Plan

Whether you shoot one camera or five, we have a plan that fits your workflow. All plans include 65-point .cube files and free future updates.

Starter
$37
Per individual camera pack
Market avg: $47 · You save 21%
  • 1 camera profile of your choice
  • 3 REC.709 conversion LUTs (65-pt)
  • Instant .cube download
  • All major NLEs compatible
  • On-set monitor files included
  • Stylized looks not included
  • Multi-camera access
  • Future pack updates
Master Bundle
$199
All 5 camera profiles forever
Market avg: $250 · You save 20%
  • All 5 camera profiles (RED, Sony, C-Log2, C-Log3, BRAW)
  • All conversion LUTs for every profile
  • All stylized looks for every profile
  • 65+ total LUTs in 65-point cube format
  • On-set monitor files for all cameras
  • Free future updates — all packs forever
  • Priority email support
  • Early access to new releases
Multi-Camera Bundle
Pick Any 2 Camera Profiles
Conversions + Stylized for 2 cameras of your choice
Market avg: $168 · You save 18%
$138
65-Point Cube Visualization
Each cell = a color node in the 3D LUT grid. 65-point = 65×65×65 = 274,625 nodes.
Why 65-Point?

The difference between good and great color grading.

Most consumer LUT packs use 33-point cubes — 35,937 color nodes. Enough for basic grading, but prone to banding and inaccuracy in complex LOG color spaces.

A 65-point cube has 274,625 color nodes — nearly 8× more. Smoother gradients, more accurate skin tones, better highlight retention, and cleaner results when pushing your grade hard.

All Aponte Media LUTs are built at 65-point resolution — the professional broadcast standard.

274,625
Color Nodes
More than 33pt
.cube
Universal Format
Compatibility

Works With Every Tool

All Aponte Media LUTs are delivered as standard .cube files — compatible with every major NLE and color grading platform.

🎬
DaVinci Resolve
Node-based workflow
🎞
Premiere Pro
Lumetri Color panel
🍎
Final Cut Pro
Custom LUT effect
🎥
After Effects
Apply Color LUT effect
📺
SmallHD Monitors
On-set preview
🖥
Atomos Monitors
On-set preview
Resolve Fusion
VFX pipeline
🎛
Assimilate Scratch
Professional grading
FAQ

Frequently Asked Questions

A 65-point LUT has 274,625 color nodes — nearly 8× more than a standard 33-point LUT. This means smoother gradients, more accurate skin tones, better highlight retention, and cleaner results when grading LOG footage. All Aponte Media LUTs are 65-point — the professional broadcast standard.
RED RAW (Log3G10/REDWideGamutRGB) for all RED DSMC2/DSMC3 cameras; Sony S-Log3 for FX3, FX6, FX9, A7SIII, A7RV, ZV-E1; Canon C-Log2 for C70, C300 MkIII, C500 MkII, EOS R5C; Canon C-Log3 for EOS R5, R6, R7, C70; and Blackmagic RAW (Gen4 and Gen5) for BMPCC 4K, 6K, 6K G2, URSA Mini Pro, and Pyxis.
Go to Project Settings → Color Management and add the .cube files to your LUT folder. In the Color page, right-click any node and select "3D LUT" to apply. Apply conversion LUTs on the first node after your color space transform, then apply stylized looks on a subsequent node at 70–85% opacity.
Yes. All Aponte Media LUTs include a commercial use license. Use them on client work, broadcast, weddings, and any paid project. The only restriction is redistribution — you may not resell or share the raw .cube files.
Pro Pack and Master Bundle purchasers receive free updates for the packs they've purchased. New stylized looks added to a pack you own are included at no extra charge.
Conversion LUTs transform your LOG footage into accurate REC.709 — they're your starting point. Stylized LUTs apply a creative aesthetic on top. We recommend applying a conversion LUT first, then layering a stylized LUT at reduced opacity for the most professional results.